10 Inflammatory Essays

10 Inflammatory Essays-17
Despite skipping the red carpet and opting not to perform during the ceremony, Lorde still stole the show at Sunday night’s 2018 Grammy Awards.The singer wore a stunning bright red Valentino dress with diamond cutouts in the bodice and a full-length skirt covered in fluffy bits of tulle, which she matched to her bold scarlet lipstick and red metal flask.

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The tone of Holzer's writing ranges from the simplistic to the elegiac, offering continual contradictions.

Her prowess as an artist resides in her ability to select, edit, and then re-present these maxims as both steeped in culture and separated from it.

Originally fly-pasted around New York City, the impactful texts that make up Inflammatory Essays spotlight Holzer’s ongoing concerns with power, social control, abuse, consumption and sex.

The assertive and demanding statements are as biting and painfully prescient today as when they were first produced between 19.

In the late 1970s she put aphorisms on billboards, signs, and posters hung throughout the streets of Manhattan.

Titled Truisms (1977), the series established the basis of Holzer's art, namely, using words on media and advertising materials such as electronic signboards, T-shirts, metal plaques, and, her most recognized format, the led (light-emitting diode) with its perpetual dot-matrix flow.

Set of 10 offset lithographs on variously coloured paper packaged in original plastic seal bag25 x 25 cm Comes with Certificate of Authenticity10 sets produced for ICA in 1993 (Unlimited APs)£3000 (£2250 ICA Red Members)The Institute of Contemporary Arts is delighted to offer Jenny Holzer’s Inflammatory Essays, 1979–1982, which is being sold in honour of the 25th anniversary of this seminal project being produced for the ICA.

The essays feature provocative statements inspired by the writings of communists, anarchists, religious and liberal thinkers and popular literature.

Jenny Holzer is an American Neo-Conceptualist, internationally known for her text-based works that interrogate the effects of rhetoric, which are often projected with light, inscribed on enduring materials such as marble and bronze or printed on paper.

Holzer initially rose to fame in the 1980s as part of a generation of outstanding feminist artists including Barbara Kruger, Louise Lawler and Cindy Sherman and became the first woman to represent the United States at the Venice Biennale in 1990.


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