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Paton uses unique literary techniques to enhance the poignancy of his themes.
He employs intercalary chapters to dramatize the historical setting of the novel.
How does today's South Africa differ from the country depicted in 1948? South Africa today is almost unrecognizable from the country depicted in Cry, the Beloved Country.
Huge political and social changes have taken place since 1946, the year in which the novel is set.
Kumalo speaks in a mildly solemn language emphasizing his ecclesiastic background; the Reverend Msimangu often speaks in an oratory fashion to proclaim his views.
John Kumalo uses the language of violence to demonstrate his anger over apartheid and his love for power as a black leader in Johannesburg. Born in South Africa, Paton knew firsthand the tragedy that marked his homeland.
The opening lines are repeated in chapter 18, which begins book 2.
The melodic description of the land is now in reference to the whites’ partition of South Africa, namely, James Jarvis. The openness and vitality of the land offer a sheer contrast to the depiction contained in book 1.
Taking responsibility for one’s actions has brought a new understanding and renewed principles for the good of all humanity.
Stylistically, Paton parallels character to character and action to action to dramatize the social ills of South Africa and its native people, while contrasting these vivid portraits to the lives of the white South Africans.