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The novel masterfully explores what happens when mothers and daughters not only don't get along but don't even like each other.Class conflicts and colliding generational values add further color. See has tackled the usual gamut of male-female romance, but she has also taken on the subjects of mothers, daughters, and aging in Rhine Maidens; female friendship, religious evangelism, and nuclear war in Golden Days; and international business, stepfamilies, and grieving in Making History.
Book reviewer, Los Angeles Times, 1981-93; New York Newsday, 1990-92; and since 1993 Washington Post. Awards: Vesta award, 1989, for writing; Guggenheim fellowship in fiction, 1990-91; Lila Wallace teaching grant, 1992-93; Women's Care Cottage Apple award, 1991; Los Angeles Times Robert Kirsch body of work award, 1993. The story of the neurotic, stubborn Grace, left by several husbands and facing retirement alone, is coupled with that of her daughter, Garnet, a "useless" wealthy housewife who is into est and interior decorating.
Career: Waitress, 1950s; teaching assistant, 1960s; professor of English, Loyola Marymount University, 1970-85; visiting professor of English, 1986-89, and adjunct professor of English, both University of California, Los Angeles. With Rhine Maidens, See's masterful characterizations and clever dialogue emerge more fully formed.
Women's friendships rarely receive short shrift from See.
She writes: There was a basic inequality in the country I grew up and lived in. For women, it generally took two or even three to make one story….
The Rest is Done With Mirrors, See's first novel (and generally not thought to be her best work), tells of two UCLA graduate students and their troubled relationships.
Novels as Monica Highland (with Lisa See and John Espey) Lotus Land. See uses strong first-person narration in her best work, some of which is rendered in diary form.
Stephen Markley is an author, screenwriter, and journalist.
A graduate of the Iowa Writer’s Workshop, Markley’s previous books include the memoir As we have entered into the twenty-first century, traditional models of publishing and promotion have dissipated into a bewildering electronic jungle where traditional wisdom changes almost daily.
Having a blog was once considered the way to go, but once that became the traditional wisdom of the day, thousands of writers jumped on the bandwagon, diluting that approach. Writers have limited budgets, and an overwhelming plethora of paid publicizing services, web sites, and listing services bombard their inboxes daily, and the majority of them are not cost effective.
Facebook, Twitter, Instagram and other social media giants constantly change their policies, making marketing a hit or miss proposition.