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] Look, maybe us Mormons do believe in crazy stories that make absolutely no sense, and maybe Joseph Smith did make it all up, but I have a great life, and a great family, and I have the Book of Mormon to thank for that.The truth is, I don't care if Joseph Smith made it all up, because what the church teaches now is loving your family, being nice and helping people. It isn't because it is sharp commentary that cuts pretty deep.Canada, in turn, has elected its own Trump-like figure, with disastrous results. Now, it was as if our culture had been shining an Eric Cartman-shaped Bat-signal and “South Park” answered.
“It’s like I’m a relic,” a recurring character says.
“Sometimes I feel like I’ve outstayed my welcome.”The character in question is a white restaurant owner who believes he is Chinese and speaks in a grossly stereotyped Asian accent.
And where past “South Park” satires once looked at single issues, this season is sketching something like a grand — if messy — unified theory of anger, inequality and disillusionment in 2015 America. wars rage, the town of South Park is being gentrified: It’s attracted a Whole Foods and built Sodosopa (South of Downtown South Park), an enclave of hipster eateries and condos built literally around the house of the dirt-poor Mc Cormick family.
The townspeople are delighted, until they realize many of them can’t afford to join the few, the smug, the artisanal.
This season, which airs its finale on Wednesday, is built around an extended satire of political correctness.
South Park, Colo., is taken over by a new school principal — named, aptly, P. Principal — and his crew of like-minded, jacked-up frat bros, who believe that being p.c.Maybe, that meta-lament seemed to suggest, the show had started punching down in its later years.Yet this fall “South Park” has gone and revitalized itself, by telling a more ambitious, serialized story and by asserting that it takes an outrageous comedy to capture an era of outrage.Trump, a phenomenon who has thrived on a resentment of things p.c., just this week crowing that his plan to ban Muslims from the United States was “probably not politically correct.” A longtime character, Mr. But “South Park” has never cared much about political fine points so much as comedy that deflates zealots and defends the offensive, like an American Charlie Hebdo.Garrison, begins a White House bid on a familiar-sounding platform of xenophobia against Canadians (recurring boogeymen of “South Park,” going back to the “Blame Canada” number from the 1999 movie musical). It was ahead of the curve in asserting a right to depict the Prophet Muhammad, who appeared in a 2001 episode (though Comedy Central squelched later attempts).Under the town’s chichi new facade is a familiar slurry of resentment (of the privileged, of immigrants, of elites) and fear (of terrorism, of crime, of economically falling).And all that, in the “South Park” worldview, drives people to a self-pitying narcissism that extends to politics but also goes beyond it. Feel a little bad about it sometimes.”Affected by his words, the citizens are moved to action: They take Reality to the town square and hang him. Stone anticipate this criticism too, having Cartman tell his schoolmate Kyle, with atypical self-awareness: “We’re two privileged straight white boys who have their laughs about things we never had to deal with.”This product of two white guys does have a different vantage point from many of today’s best comedies dealing with identity issues, from “black-ish” to “Master of None.” But in a way, its project and theirs are the same: to deal with tensions by prescribing more conversation, even if it’s uncomfortable, not less.In the season’s darkest episode, “Safe Space,” the townspeople assign a single child to filter every negative comment from their social media, to protect their self-esteem from all manner of “-shaming.”After the boy nearly dies from the strain of filtering the entire Internet’s hate, an allegorical figure named Reality — wearing a silent-movie villain’s cape and mustache — shows up to scold South Parkers with a lecture that sums up this season’s Swiftian brimstone morality: “I’m sorry the world isn’t one big liberal-arts college campus! It’s not exactly subtle, nor is the show’s argument entirely focused; the season-ending arc has involved a tangent about deceptive online advertising. Only a week after the terrorist shooting in San Bernardino, Calif., the episode promises a story on how “the citizens of South Park feel safer armed”; a teaser video has Cartman getting in an armed standoff with his mother at bedtime.)And by making P. Principal and friends white dudes, the show sidesteps the fact that “politically correct” is often a label lobbed white dudes at women and minorities who’ve faced actual prejudice. There are a ton of storytelling-related books and websites in the cosmos.This approach to writing (or speaking) is dull and does not generate momentum, let alone sustain it.Therefore, Trey says, "whenever I can go back in the writing and change that to "this happened, therefore this happens.